The Choir of the “Transylvania” was founded in 1972, during Sigismund Toduţă’s directorship. His initiative and perseverance were the key factors for the success of this project. The task to select the members of the new ensemble was given to the choir master Dorin Pop. He was a leader in choral conducting in Romania and the results with the Philharmonic Choir were spectacular: after only two years, the ensemble was already enjoying the first position among Romanian choirs, where it remains as to present days

Dorin Pop studied philosophy at the University of Cluj (with P. P. Negulescu and Lucian Blaga), as well as music at the Academy of Music and Dramatic Art, now the “Gheorghe Dima” Academy of Music (with Augustin Bena, Marţian Negrea, Mihail Andreescu-Skeletti, among others). After graduation, he started his pedagogical career, first teaching harmony, later choral conducting at the Academy of Music. In 1955 he founded a small choir that was to become the chamber choir “Cappella Transylvanica”, with which he enjoyed major successes both home and abroad, and recorded four albums for Electrcord.
In 1972, he was given the assignment to lead the recently founded Choir of the Philharmonic. He set the tone for what the ensemble was to become, from the selection of its members to the definition of their sound and vocal style.

In 1976, Florentin Mihăescu, Dorin Pop’s assistant, took over the direction of the choir. He made a notable contribution to the enlargement of the choir’s repertoire, and enjoyed the first international successes with the ensemble. In 1979, he was invited to work with the Choir of the Festival Junger Künstler in Bayreuth and, in 1980, he was highly appreciated at the Lucerne Festival.

In 1986, Cornel Groza took over the direction of the Choir. Charismatic, uncompromising, perfectionist, expressive and analytical in his work, Cornel Groza is a musical personality who built on the accomplishments of his predecessors, making a first-class choir out of an already mature ensemble. His formation, first as a member of Cappella Transylvanica (subsequently as its very leader) and a founding member of the Philharmonic Choir, Cornel Groza has remained faithful to the tradition of his masters while, at the same time, making his own voice heard: his history with the Choir is defined by the ensemble’s most important international achievements, acclaimed by audience and critics alike.

The Choir’s radio and TV broadcasts, as well as their recordings have enjoyed critical appreciation. The most recent release is an Arte Nova album with works by Brahms (Ein deutsches Requiem, Nänie, Schicksalslied), with the Bucharest Philharmonic and conductor Cristian Mandeal.

In 2003, the Philharmonic Choir appeared on the soundtrack of Mel Gibson’s famous film The Passions of the Christ.


The Choir’s first tour abroad took place in 1976 (in Italy) and was followed by invitations from the opera festivals in Pesaro and Martina Franca. An outstanding experience was the presence at the Lucerne Festival, for George Enescu’s centennial celebration (1981), where the Choir and the Orchestra performed the Romanian composer’s operatic masterpiece, Oedipe.
The choir has appeared under the baton of conductors such as Gary Bertini, János Ferencsik, Pinchas Steinberg, Shlomo Mintz, Michi Inoue, Leopold Hager, Maurice Handford, Pierre Cao, Stefan Anton Reck, David Shallon, Nicholas McGegan, Edward Tschiwjel, Erich Bergel, Cristian Mandeal, Lászlo Heltai, Donato Renzetti, Lü Jia, Claus Peter Flor, Alberto Zedda, Fabio Luisi, John Axelrod, Avner Biron, Mykola Diadiura, David Crescenzi, Horea Andreescu, Nicolae Moldoveanu, Petre Sbârcea, Vladimir Cosma, as well as with outstanding orchestras such as Israel Philharmonic Orchestra, Zürich Tonhalle Orchestra, Luxembourg RTL Orchestra, Orchestre National de Lorraine, Malaysian Philharmonic Orchestra, Orchestra Nazionale RAI di Torino and Orchestra Internazionale d’Italia. The choir has performed in the most important Romanian festivals: The “George Enescu” Festival Bucharest, Cluj Musical Autumn, “Mozart” Festival, Cluj Modern, Iaşi Romanian Music Festival. The international career took the choir to prestigious venues and festivals in the world: Paris, Berlin, Düsseldorf, Schwetzingen, Wildbad, Koblenz, Zürich, Lucerne, Geneva, Tel Aviv, Jerusalem, Haifa, Macerata, Ravello, Pesaro, Naples, Luxembourg, Cordoba, Assisi, Amsterdam, Athens, Madrid, Barcelona, Santander.

In 1996, the Choir appeared with Israel Philharmonic Orchestra, under the direction of Gary Bertini, performing La Damnation de Faust by Hector Berlioz ; one year later, the Choir was invited by the same orchestra perform Bellini’s Norma and Schubert’s Mass in G major, under the baton of Pinchas Steinberg. In 1998, the Choir was selected by RAI television to give concerts in Torino and Assisi, together with the remarkable RAI Orchestra conducted by Shlomo Mintz.
Major successes came, once more, on Israeli stages: Festival Liturgica 2000 in Jerusalem (where they presented three programs with the Jerusalem Symphony Orchestra, under the direction of Gary Bertini, David Shallon and Nicholas McGegan, as well as a highly appreciated a cappella repertoire); a concert for the inauguration of the Terraces of Mount Carmel, Baha’i Temple, Haifa (the world premiere of Lasse Thoresen’s work Terraces of Lights); the opera festival in Caesarea (2000, with Puccini’s Turandot, Tel Aviv New Israeli Opera).

Since the 70s, the Choir has also been part of opera productions. Among recent engagements, there are the Festival in Caesarea (Israel, 2000), with Puccini’s Turandot, in collaboration with Tel Aviv New Israeli Opera; Ehrenbreitstein (Germany, 2000), with Verdi’s Nabucco; in 2002, with Verdi’s Aida, in collaboration with Koblenz Theater. The Choir is regularly invited at the Festival della Valle d’Itria in Martina Franca, where they have been part, so far, in the staging of operas such as Casella’s La donna serpente, Mayr’s Medea in Corinto and Mercadante’s Francesca da Rimini, under the baton of Fabio Luisi and released on DVD.




Johann Sebastian Bach – Matthäus-Passion, Johannes-Passion, Christmas Oratorio, Magnificat, Mass in B minor
Béla Bartók – Cantata Profana
Ludwig van Beethoven – Missa solemnis, Mass in C major, Symphony No. 9, Choral Fantasy
Hector Berlioz – Requiem, Grande messe des morts, Missa solemnis, Roméo et Juliette
Leonard Bernstein – Chichester Psalms
Alexander Borodin – Polovtsian Dances
Johannes Brahms – Ein deutsches Requiem, Schicksalslied, Nänie, Alto Rhapsody, Gesang der Parzen
Benjamin Britten – War Requiem
Anton Bruckner – Mass in F minor, Te Deum
Luigi Cherubini – Requiem
Paul Constantinescu – Byzantine Christmas Oratorio, Byzantine Easter Oratorio
Liviu Comes – Cântec în piatră (Song in Stone)
Claude Debussy – Nocturnes
Maurice Duruflé – Requiem
Antonín Dvořák – Requiem, Te Deum, Stabat Mater
George Enescu – Symphony No. 3, Vox Maris
Gabriel Fauré – Requiem
Charles Gounod – La Rédemption
Georg Friedrich Haendel – Alexander’s Feast, Samson, Messiah
Joseph Haydn – Die Schöpfung, Die Jahreszeiten, Missa in Angustiis, Harmoniemesse, Missa Sancti Nicolai, St. Cecilia Mass, Die sieben letzten Worte unseres Erlösers am Kreuze
Michael Haydn – Requiem
Tudor Jarda – Din Scripturi (From the Scriptures)
Zoltán Kodály – Psalmus hungaricus
György Kurtág – Colinda-Baladă
Constant Lambert – The Rio Grande
Franz Liszt –Faust Symphony
Gustav Mahler – Symphonies Nos. 2, 3, 8
Pietro Mascagni – Messa di Gloria
Felix Mendelssohn – Paulus, Elias, Lobgesang
Wolfgang Amadeus Mozart – Requiem, Great Mass in C minor, Krönungsmesse, Missa solemnis, Eine kleine Freimaurer Kantate, Davide penitente
Marţian Negrea – Recviem-Parastas
György Orbán – Rorate Coeli
Carl Orff – Carmina Burana
Giovanni Paisiello – Magnificat, Messa di Pastorale
Krzysztof Penderecki – The Seven Gates of Jerusalem
Francis Poulenc – Gloria
Giovanni Battista Pergolesi – Stabat Mater
Sergei Prokofiev – Alexander Nevsky
Giacomo Puccini – Messa di gloria
Serghei Rahmaninov – The Bells
Maurice Ravel – Daphins et Chloé
Gioachino Rossini – Stabat Mater
Camille Saint-Saëns – Le Déluge
Antonio Salieri – Requiem
Franz Schubert – Mass in E-flat major, Mass in A-flat major
Igor Stravinsky – Oedipus Rex, Mass, Symphony of Psalms
Karol Szymanovski – Stabat Mater
Dmitri Shostakovich – Symphony No. 13, Babi Yar
Sergey Taneyev – John of Damascus
Lasse Thoresen – Terraces of Light
Georg Philipp Telemann – Magnificat
Sigismund Toduţă – Mioriţa, Pe urmele lui Horea
Ralph Vaughan-Williams – A Sea Symphony
Giuseppe Verdi – Messa da Requiem, Quattro pezzi sacri,
Antonio Vivaldi – Gloria, Magnificat
William Walton – Belshazzar’s Feast

Vincenzo Bellini – Norma, I Puritani
Hector Berlioz – Benvenuto Cellini, La damnation de Faust
Nicolae Bretan – Luceafărul, Golem
Alfredo Casella – La donna serpente
George Enescu – Oedipe
Liviu Glodeanu – Zamolxe
Tudor Jarda – Pădurea vulturilor
Giovanni Simone Mayr – Medea in Corinto
Saverio Mercadante – Francesca da Rimini
Wolfgang Amadeus Mozart – La Clemenza di Tito
Giovanni Paisiello – Proserpina
Giacomo Puccini – Turandot
Gaspare Spontini – Fernand Cortez
Johann Strauss – Der Zigeunerbaron
Sigismund Toduţă – Meşterul Manole
Giuseppe Verdi – La traviata, Nabucco, Aida, Simone Boccanegra, Don Carlos, Jérusalem
Richard Wagner – The Flying Dutchman